THOUGHT EXPERIMENTS IN PUBS
PARTY IN THE PARK
“IN GOOD COMPANY”
It’s looking like there will be lots of you here today, so here’s a brief explanation of the event in case you miss the verbal intro…
WELCOME TO THOUGHT EXPERIMENTS IN PUBS
The purpose of this meetup:
To meet people that you otherwise might not meet.
To talk about things that might not otherwise come up straight away.
To spark ideas, fresh perspectives, and friendships.
To build community and a practice of thinking out loud together.
How it works: We talk about three thought experiments (imaginary scenarios). 20-40 minutes per thought experiment depending on how long the thought experiment is. This time it will be approximately:
ROUND 1 - 25 minutes
ROUND 2 - 40 minutes (It’s a long one! Feel free to stretch your legs though if I’ve given you too long to talk…)
ROUND 3 - 25 minutes
You will not have enough time to talk about all of them fully, but don’t worry…there’s plenty of time after the structured meetup to continue your conversations (there’s all day!)
In between rounds, we shuffle the groups. 3-5 people per group is usually best. It means you get plenty of time to talk. The bigger the group, the less time you’ll have to talk.
Please be a generous listener so that everyone in your group has a chance to speak if they want to.
There are no rules, just the invitation to be curious about your fellow thinkers’ thought processes. It’s usually a more interesting conversation if you are interested in why you might have different perspectives, rather than debate who is right/wrong.
Deep conversations are great, but so is lightness, humour, and fun. I hope you get a good balance :-)
Any questions, come and ask me anytime, or draw on the experience of people in your group who have been to these events before.

1 TINK
The sun has just gone down and it's beginning to get dark outside.
The streetlights flicker on.
One sputters for longer than the rest.
You go to the window to look.
Shimmering, right outside your window, is…tinkerbell.
At least that’s what it looks like.
You open the window and in a tiny voice, the fairy introduces herself as “Tink”.
She tells you that she’s the great granddaughter of Tinkerbell and that she’s a ‘social butterfly’. When you look confused, she explains:
“Well obviously I’m a fairy, but my job is ‘social butterfly’. It’s quite a cool role actually. I am supposed to improve people’s social lives by magically connecting them.
There are two ways I can do this:
The first way is by guaranteeing you 3-5 short chats per day. These are conversations with people you’ll see at least once a week. They will remember you and what’s going on in your life. If you go away for more than a week, they’ll notice. But none of them actually know much about you. They don’t know what you care about, what you’re struggling with in life (etc.). They just know enough to say “you look well!” or “how was that film you mentioned you were going to see?”. Friendly small talk I suppose you could call it.
The second way is to guarantee you one long “DMC” (Deep Meaningful Conversation) per week. The DMC will be at least an hour long. It will be with a stranger who you will never see again. It will go to places like:
The scariest moments in your lives
Your first loves
Where each of you draw inspiration from
The issues that make you most angry
Neither of these options are replacements for the rest of your social life. They’re just add ons.
So, would you like to choose one of these options?
Full disclosure, I’m working with a university to find out which kind of interactions make people happier. We think there might be some differences between introverts and extroverts, those that live in cities and those that live in villages, etc etc…
The university is crunching the numbers, I’m providing the magic!”
QUESTIONS TO CONSIDER:
Which option do you gravitate towards? Why?
Which do you think would make you happier in the long run?
Do you think most people will choose option one or option two? Why?
Do you think ‘introverts’ and ‘extroverts’ are likely to pick different options, as Tink suggests?
What do you think of the saying “you can’t have quality without quantity” (referring to interactions with other people)?
SOURCE: BA, THOUGHT EXPERIMENTS IN PUBS Group Member

2 ANIMATE
Many people make inanimate objects come alive.
Poets, writers, storytellers, film-makers, instagram creators…
I’m going to give you four examples, but if you prefer a shorter thought experiment, you can skip to the last sentence.
4 EXAMPLES
1) In Disney’s Beauty and the Beast, the household objects come to life, sing and dance (Trousdale & Wise, 1991).
2) In Steinbeck’s Winter of Our Discontent, the main character makes an audience of his storeroom:
“Ethan flipped a switch and flooded the cold cuts, cheeses, sausage, chops, steaks, and fish with a cold bluish neon glare. A reflected cathedral light filled the store, a diffused cathedral light like that of Chartres. Ethan paused to admire it, the organ pipes of canned tomatoes, the chapels of mustard and olives, the hundred oval tombs of sardines.
“Unimum et unimorum,” he intoned in a nasal litanic tone…..
He raised his right hand, cupped loosely, palm upward, and he declaimed, “Hear me oh ye canned pears, ye pickles and ye piccalilli…” (Steinbeck, 1961)
3) In instagram reels, Sam Cotton breathes life into traffic cones, teabags, smoke alarms, and light switches (etc.). He shows us what they might be like in day to day life and at Rest
(Cotton, 2024)
4) In the poem “Everything Is Waiting For You”, David Whyte encourages us to see everything around us as alive and present:
“Your great mistake is to act the drama
as if you were alone. As if life
were a progressive and cunning crime
with no witness to the tiny hidden
transgressions. To feel abandoned is to deny
the intimacy of your surroundings. Surely,
even you, at times, have felt the grand array;
the swelling presence, and the chorus, crowding
out your solo voice. You must note
the way the soap dish enables you,
or the window latch grants you freedom.
Alertness is the hidden discipline of familiarity.
The stairs are your mentor of things
to come, the doors have always been there
to frighten you and invite you,
and the tiny speaker in the phone
is your dream-ladder to divinity.
Put down the weight of your aloneness and ease into the
conversation. The kettle is singing
even as it pours you a drink, the cooking pots
have left their arrogant aloofness and
seen the good in you at last. All the birds
and creatures of the world are unutterably
themselves. Everything is waiting for you.” (Whyte, 2022)
This Thought Experiment is simple:
Imagine all ‘inanimate’ objects are animate.
QUESTIONS TO CONSIDER:
How would your experience of the world change?
Would it improve?
Would you feel comforted or disturbed by this new reality? In what ways?
If you could speak to objects, would you?
If you could feel what it is like to be objects, would you?
Does the idea of developing personalities for the objects around you feel delightful or weird?
Why do you think this is such a common trope in art/fiction (see examples)?
SOURCES:
BA, THOUGHT EXPERIMENTS IN PUBS Group Member
Cotton, S. [@samcotton]. (2024). “Rest.” [Video]. Instagram. https://www.instagram.com/reel/Cw_ce8CPvHK/?hl=en
Steinbeck, J. (1961). The winter of our discontent. William Heinemann Ltd.
Trousdale, G., & Wise, K. (Directors). (1991). Beauty and the beast [Film]. Walt Disney Pictures.
Whyte, D. (2022, May 26). Everything is waiting for you. The On Being Project. https://onbeing.org/poetry/everything-is-waiting-for-you/

3 THE WEATHER
Here’s a well worn thought experiment:
If you could have dinner with 5 people, living or dead, who would you pick?
You can talk about this 👆for a little bit if you want to, but I have another question for you:
Suppose that the dinner party has happened.
Your chosen 5 are around the dinner table, and you are the host.
To your dismay, your dinner guests have been politely talking about the weather for the first 20 minutes:
“Yes it has been hot hasn’t it!”
“I don’t do too well in the heat, I prefer it when it’s between 20-25 degrees.”
“We humans are so fussy aren’t we! It’s either too hot or too cold isn’t it? LOL.”
“For my part, I prefer a cooler day like today.”
You’ve only got an hour and a half left with them, but it looks like they’re set on small talk.
There’s a momentary lull in the conversation and they look to you.
QUESTIONS TO CONSIDER:
What kind of conversation were you hoping for?
How might you spark it?
Now that you’ve thought of a way of sparking it, do you think it would be equally interesting with any random strangers, or is it specific to this group?
Why do you think humans often stick to “boring” topics of conversation? Why the weather?
What value might ‘small talk’ have?
SOURCE: BA, THOUGHT EXPERIMENTS IN PUBS group member

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